PORTABLE Download Movie One Missed Call 1

This movie is not as good As the 1st, but still very good Sequel. i would Say this is the Worst one out of the Trilogy.The Plot One Missed Call 2 introduces us to Kyoko and her friend Madoka. Both women are teaching assistants at a kindergarten in the middle of Tokyo and when the pair aren't working, they seem to spend a lot of time in a Chinese restaurant where Kyoko's boyfriend, Naoto, works. It is here that Kyoko first encounters the cursed ring tone.While enjoying a night out with friends at a Chinese restaurant, Kyoko receives an eerie call, but strangely, instead of dying three days later, tragedy strikes almost immediately and not to Kyoko directly. Since one of the deaths in the original film occurred on television, both Kyoko and Naoto are familiar with the urban legend and find themselves at a loss as to how to solve the problem. Luckily for them, a plucky journalist named Takako ) is on the case, enlisting the help of Detective Motomiya (a returning Renji Ishibashi) who's pieced together quite a bit about how the curse works.I Can't tell you too much about this because, it will Ruin the movie as there are few Twist and Turns, Which are really confusing at times and You will need to re- watch this movie, more than once to understand it.And finally - This is a good Sequel, as it had some really good Creepy scene in this movie.What i didn't like in this movie was the Twist, They are really Confusing, it hard to understand what going on and acting was On and Off in some place, Few people are lazy in some scenes but most of time they can act .i Rate this movie 5 out 10

People receive voice mails from the dead with messages of their deaths in the near future showing the time and date. Leann Cole (Azura Skye)'s friend Shelley dies in a supernatural drowning. Leann receives a call from Shelley with a voice mail of her death. She starts to have bizarre visions and she gets killed by supernatural forces while on the phone with her friend Beth Raymond (Shannyn Sossamon). Beth's boyfriend Brian Sousa (Johnny Lewis) had also gotten a phone call and gets killed. Det. Jack Andrews (Edward Burns) is investigating after the death of his sister which seems to be linked. Then Beth's roommate Taylor Anthony (Ana Claudia Talancón) receives the call. TV producer Ted Summers (Ray Wise) comes sniffing around.It's yet another American remake of a Japanese horror movie. The CGI is weak. It would be much better to use real effects more. Instead of CGI bugs, they should use try and true real bugs. There is a general lack of horror atmosphere. The movie shows all of its tricks rather early with Leann's death. It doesn't leave much for the rest. It basically grinds on and on with a boring investigation. Sossamon tries her jumpy best, but the movie never really ramps up the thrills.

Well, what can I say? Takashi Miike's take on the whole so-called J-horror hoopla. I bet he was thinking "I can do this too. And I can do it better". And you know what? He was right! RINGU can be considered as the original one that started it all (because of being the first big hit in the genre, for one thing). I'm not even gonna argue about whether it's the best J-horror movie or not. But I am gonna say that ONE MISSED CALL is without a doubt, on some levels, more effective than RINGU. Where Sadako's ghostly tale of terror was sort of touching the boundaries and establishing some clearly defined characteristics of the genre, CHAKUSHIN ARI pushes the boundaries and uses these characteristics as a reference to the genre.Miike handles a very tight script and a plot that has virtually no holes and a lot of eye for details. Almost every little aspect that is being mentioned in the plot, carries a little set-up within that delivers a pay-off later. The story is intriguing. The death scenes are original and rather graphic. The ghostly creepiness is there. Every jump-scare works (there was one were I almost went through the roof! I recommend watching this with the sound turned up a notch; just let it blast out of the speakers, and I guarantee you: you will jump!). The conclusion is great and practically unpredictable; the twists were damn good. And then there's Miike, who just once again had to give this movie that Miike-touch of his, making it all just one bit more special in a way. And this time, surprisingly, he doesn't do it in the usual way. Not be inserting a sickening scene, or adding some repulsive imagery (though some events and effects really are quite gruesome). No. This time he does it by taking the movie to a different level, by adding that very last scene. And the very last shot should normally have you thinking about something that someone in a very brief scene said, earlier in the movie. The effect it had on me was: wanting to re-watch the movie. Now that's just great if a movie manages to do that. So maybe I should really rate this one 10/10. But I'll reserve that rating for THE AUDITION, my favorite Takashi Miike film ever (for now, at least).And, by the way: I'm ready for the re-make. It's gonna be directed by Frenchman Eric Valette, who previously directed the magnificent, claustrophobic & Lovecraftian-like MALÉFIQUE. For once, I just might have a little faith in an upcoming re-make.

Even fans of Takashi Miike (I'm one) should be honest. He's made some bravura masterpieces like Audition and 13 Assassins but he's also churned out a lot of overlong, incoherent stinkers, of which this is one.The premise - that people receive cell phone messages from their future selves recorded just before the moment of their deaths - had a lot of potential but Miike spaffs all that up the wall by drowning the film in slow, boring exposition and skimping on the many inventive and creepy deaths this film should have contained.The biggest problem here is that the backstory behind why all this is happening is uninteresting and revealed in tedious chunks throughout. Instead of making the main events in the present scarier they actually make them seem more mundane. There's also a lack of clarity around how and why these events can be stopped.Another thing that bugged me was characters behaving irrationally. The victims heard their own words recorded at the moments of their future deaths but didn't appear to make any concerted effort not to robotically repeat those same words when the time came. You'd think that it might occur to them that to be in a hotel room or a cop shop at the predicted instant of their death while definitely not uttering the words on the premonitory recording might keep them safe. But no. No one tries this and they all shamble into the jaws of doom like the pathetic, suicidal sheep they are.This could have been a great film but it was an opportunity badly missed. Still there's plenty of other Miike to check out. It's not like the man hasn't given us anything else to choose from.

While in a bar with her friends, the teenager Yoko Okazaki (Anna Nagata) receives a call in her cellular with a voice mail from the future telling the date and time when she would die. On the next day, Yumi overhears a group of students talking about the urban legend that people connected in the address book of cellular are mysteriously receiving phone calls with date and time of their death in the near future. In the precise informed hour, Yoko is attacked by a supernatural force in a train station while talking to her friend Yumi Nakamura (Kou Shibasaki) by phone and dies with severed arm and leg. Yumi seeks out Kioto's boyfriend Kenji Kawai (Atsushi Ida), who also received a call, and witnesses his death in an elevator shaft. When her roommate Natsumi Konishi (Kazue Fukiishi) receives a call, Yoko befriends Hiroshi Yamashita (Shin'ichi Tsutsumi), who tells her that his sister Ritsuko (Azusa) that worked in the Child Guidance Center with abused children was the first victim of the phone call. While in the hospital, Yumi hears an asthma pump and recalls that she heard the same noise when Kenji died. They decide to investigate victims of asthma in the hospital and find the name of Marie Mizunuma and her daughters Mimiko and Nanako. They search the family together trying to save Natsumi from her fate."Chakushin Ari" is scary like most of the Asian horror movies, and has a promising beginning supported by a great acting and a good plot. However, the last quarter of the movie is confused, not clear, needing interpretation; therefore, the screenplay writer Minako Daira or the cult director Takashi Miike or both failed since they were not able to transmit a clear conclusion of the story to the audience. I glanced in IMDb the most different interpretations for the end of the story to ratify my opinion. My vote is six.Title (Brazil): "Ligação Perdida" ("Missed Call")

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