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If memorable war movies mean something to you, open that book to a new page and add "Fury" to the list. It belongs there. Even if you're not keeping a list, it's hard not to be impressed by what writer-director David Ayer, powerfully aided by star Brad Pitt and an exceptional below-the-line team, has accomplished with this bleak and savage story of a World War II tank crew operating in Germany during the last month of the European war. The advance spin on "Fury" has been, in the words of one of its producers, that it's "not your grandfather's war movie." Like most hype, that turns out to be only half true. In fact, what makes this film distinctive is the adroit way it both subverts and enhances old-school expectations, grafting a completely modern sensibility onto thoroughly traditional material. For though they don't necessarily act in expected ways, the five-person cross-section-of-humanity tank crew headed by Pitt's Sgt. Don Collier, a.k.a. Wardaddy, fits squarely into familiar Hollywood models involving men doing what men have to do because no one's going to do it but them. (Kenneth Turan) Read more

After the success of his Broadway adaptation of "The Producers," Mel Brooks worked with book-writer Thomas Meehan to stage another of his beloved films, "Young Frankenstein." DOMA Theatre Company's exuberant revival of this musical horror spoof, which closely follows the movie but adds even more Borscht Belt gags and splashy song-and-dance numbers, is a thoroughly entertaining romp, starring Hector S. Quintana as the monster who really knows how to put on the Ritz. (Margaret Gray) (Ends Sunday, Nov. 30) Read more

Wearing a loose-knotted black sweater that revealed his carved torso beneath, the pianist, singer and songwriter known as Perfume Genius sat before a whisper-quiet sold-out crowd at the Roxy in West Hollywood and tried to explain the raw, full-throated wail he'd just unleashed. Dubbing it his "general horror movie scream," the artist born Mike Hadreas had just poured forth during "Grid," a highlight from his new album, "Too Bright," and devastating as performed live in a room with so much history. It was a harrowing cry amid a remarkable set, delivered from the thin membrane that separates singing and raging, a place expertly inhabited by artists including Jeff Buckley and his father, Tim, Fiona Apple and the Cocteau Twins' Elizabeth Fraser. A realm that straddles an egoless display of creative emotion and uncontrollable onstage breakdown. (Randall Roberts) Read more

There's nothing like an old-fashioned epic to remind us why we fell in love with the movies in the first place, and two new DVDs fit that description to a T. John Schlesinger's "Far From the Madding Crowd," taken from the novel by Thomas Hardy, is an epic of the romantic sort, with Julie Christie considering advances from Alan Bates, Peter Finch and Terence Stamp. Consider the possibilities. Also taken from a novel, this one by Lew Wallace, is the classic "Ben-Hur," with Charlton Heston as the man you want to have in your chariot if a big race is coming up. Five hundred sets, 8,000 extras, 11 Oscars: This is one for the ages. (Kenneth Turan) Read more

My relationship with Nintendo is maybe not as healthy as it should be. This realization comes to me as the year draws to a close, when one is pressed to discuss the most innovative or thoughtful interactive experiences of the year. Games such as the haunting "The Vanishing of Ethan Carter" or the whimsically lonely "Broken Age: Act 1" are some that immediately spring to mind. These are titles that made the same sort of lasting impression as a TV season of "Orphan Black" or a movie screening of "Big Hero 6," which was full of unexpected considerations on loss. Like the getting-by struggles at the heart of hip-hop act Run the Jewels, these are all examples of pop culture with layers, where revisiting is encouraged. Yet there is one Wii U game in heavy rotation that I didn't expect to be there. That game is "Super Smash Bros.," a button-smashing, jump-and-sock 'em extravaganza of punching, kicking and crazy moves with nonsense titles such as the "Peach blossom" and "konga beat." There are fights at haunted mansions, fights in suburban streets and fights around space lava. Read more

Since I haven't been apart of the anime community for very long (about 2 years), I went back and looked at some older releases of Right Stuf, ADV, Geneon and Bandai and noticed that the boxsets came out 1-3 years later and there weren't any or very little re-releases. From an outside perspective, that seems like a much better idea. Force people to pick up the singles/half sets, milk those for all they're worth, then pick up the scraps on the patient stragglers with a boxset after a year or two and then a re-release it a year or two after for the newbies who missed it. Funimation, however, goes: release the singles/half sets, release a complete collection a couple months later, release a Viridian Collection and then release an S.A.V.E. They also throw in blu-rays and combine seasons/ovas/movies. It just seems more detrimental than helpful because not a lot of people will buy the first run due to them waiting for the cheap release coming sooner rather than later. I don't know if this is "proof", but if you just browse the AoD forums, you'll see a lot of "I'll wait for the boxset/VC/S.A.V.E." comments and I'm sure that's something Funimation doesn't want to hear.

I regularly lurk anime forums but I have begun to notice something odd. People are suggesting that one should watch English dubbing with their anime even going as far as complaining when an English track isn't present on a R1 DVD. As a person who for so long has just defaulted to the subtitles this unnerved me a bit as I'm sure you can imagine. Now don't get me wrong if a dub sounds good I wouldn't protest watching it but the concept of willfully watching anime in English is just so alien to me. I guess, my question is or in this instance they are. When did this start? Am I just blind and it'salways been this way or is it a new thing? Is it backlash against years of nerds obsessed with Japan or something that just happened naturally? Am I backward for starting with subtitles without thinking of checking to see if the dub is good?

But my beef is with Funimation. Sorry Funimation I like you guys a lot, you put out alot of very good shows, but since I bought these two titles I feel I have more right to complain they the people who just download free of the Internet. 2b1af7f3a8